Goo Goo Dolls still deliver something for the rest of us
Concert Review • February 25, 2011 • Tbnewswatch
The
one man show graced the Thunder Bay Community Auditorium with his
contagious presence as the opening act on Tuesday, Feb. 22.
His
45 minute set consisted of eight songs, showcasing his live looping
style of music. It's been called a “post-pop reinvention” with his style
recently moving away from the realm of eccentricity to more of a pop
sound.
The set list included songs from all three of De Roover's releases, as well as some new un-released material.
The
Auditorium crowd was a solid one that was seemingly open to De Roover's
style. Some were even familiar with it – no doubt from playing
countless local shows – and called out requests for their favourite
songs.
The mighty crowd didn't hesitate to participate in the
steady build-up of noises either. During his last song of the night, De
Roover succeeded in collecting hand-claps from everyone. He then
requested the crowd bring the volume down by finger snapping, to which
he sang over. Et voila, the snaps from a sea of people echoed throughout
the theatre.
Nostalgia sifted through the air as Buffalo, New
York's Goo Goo Dolls performed many of their popular songs and classic
hits one after another. Truth is they've had so many that it’s easy to
forget their catalogue.
They're on the road again, supporting Something for the Rest of Us, their ninth studio album.
A
few things jumped out at me. The sound has never been better – crisp,
clear, vibrant. I could actually make out what vocalist/guitarist John
Rzeznik said when he spoke.
After 25 years of making music, it's
nice to see that the chops are still there. There was no doubt in my
mind while watching bassist Robby Takac that he was happy to be up on
stage, in the middle of nowhere, playing.
Rzeznik seemed
appreciative that he gets to do what he loves. “Thank you for the last
15 years.” He even touched on that topic, as he introduced their ‘90s
smash hit Name. It was the song that changed his life, and enabled him
to make music for a living, instead of going to school to get “a real
job.”
When so many bands simply go through the motions, the Dolls seemed genuine and honest.
Their show seemed to be about the adoring fans, more than anything else.
It's
a relief to see that well-crafted songs and resonant lyrics can stand
the test of time, accompanied by a voice that holds such poise and
character. This is the kind of book that young artists should be taking a
page from.
While I found the encore a bit shorter than most, it
didn't really end with a boom as some encores tend to. And I can't even
really fault the Dolls for that, as the climax had already been
reached.
They've risen to the challenge of staying relevant
throughout the decades. They're a class act, one I hope continues to
make timeless music and stop off in Thunder Bay, if only every couple of
years.